Value not the praise of fools,
neither fear their condemnation.
Corruption is their coin and trade.
Misery the compensation.
Value not the praise of fools,
neither fear their condemnation.
Corruption is their coin and trade.
Misery the compensation.
(first appeared in “Mind in Motion -summer 1992)
The harvest is ripe,
the file soon to be closed.
There is nothing left to push
‘cept for pencils and buttons:
signals cuing signals,
it’s as endless as credit
and infinitely more costly.
There is nothing left,
no new things to acquire;
all is transaction,
all is a changing of hands.
Each ringing it drier and drier,
’till there is nothing left,
but symbols and signals,
and us, the thirsty,
and us, the hungry,
and all our pencils,
and all our buttons,
and push we will;
’till we wear the skin from the last of our fingers.
And without our eyes
we will know only our own pain;
and that of those we touch- during
breaks.
Please Brother, drink from my empty cup.
It is gold and it is platinum,
with diamonds round the lip
and emeralds at the base.
Please drink and share my hunger.
Let me push your buttons,
let me file your soul.
Let my acts be justified by numbers;
come with me,
be like me,
die with me,
please Brother, drink!
Fill me with your emptiness,
calm me with your sorrow;
for I too am sorry,
sorry for you,
but mostly sorry for me.
But there are buttons to be pushed
and papers to shuffle;
my empty house needs an addition.
Please Brother,
pay me a visit.
(first appeared in “Mind in Motion -winter 1990)
Blind concentrations of power,
generated by a cycle of souls on the ground;
people,
with mineral objectives,
raising voices of anger to tune of the discontent.
Time patterns the arrangement:
pride stands primped in historical mirrors.
Decades refract,
and day after day wears paint fresh with new colors.
New banners are boldest.
Old shades, once brilliant,
smashed subtle by modern materials;
pieces fly,
and beams align by random habitation.
The subsequent structures are founded in mud.
Destiny!
A parody of light,
Images are bent in transcription,
millions of faces are pressed to the screen.
Prisms:
adding fuzz to the uncertain,
bending ray after ray till the spectrum has faded to black.
Folly!
Small sparks obtain lighthouse proportions;
clowns play kings as they dance on the darkened stage.
Pinholes,
fostered by contrast,
cold aspects of sunlight drawing moths to be singed at the
wing.
The streets are lined with treadmills,
millions on millions march grasping at stars.
Ardent,
whims raised to a passion,
adding heat and momentum to a fire raging out of control.
The ground is burned to gray,
the heat suckling on modern chaos.
All shades are distorted and colors are blended to drab.
(first appeared in “Mind in Motion -winter 1991)
We are merely vessels of blind talent.
We have no visions of truth.
we see only as far as our hands:
strong and skilled,
hungry to touch and make and possess.
Holding and hoarding, we claim ownership.
We grip all that our feelers find,
yet grasp nothing.
We claim the light of wisdom in our darkness;
pointing to our accomplishments.
Yet the mysteries we solve are not mysterious,
just the solid object of physical fact,
stumbled upon in pride.
With unguided fingertips we fumble our surroundings,
reshaping the clay we trip over,
building newer and better monuments to our blindness,
crushing city after city to build one house.
And oh, do we sing:
our horns tire from the blowing!
And ever so boldly we march to the beat,
banging our heads,
trying to quench the thirst for tools;
hands screaming for occupation,
minds moaning for light.
There is no questioning our proficiency,
we are able to do all that we are called upon to do.
But in our blindness, we hear only ourselves.
We would be better to do nothing,
if only that were possible.
There was a time when we didn’t notice the damage:
yearning to climb, but unable to see under foot,
but now jagged bits of destruction puncture our
outstretched hands,
yet we continue our groping,
singing songs to a light we can’ t possibly know,
yet still claim to possess.
(first appeared in “Mind in Motion -spring 1993)
Reason slithers through the ages,
slave to the will.
What party wears its laurels,
what city its crown?
Athens fell and then Rome;
time plunders all fortifications.
World views tumble like dominoes
and definitions of man.
Strange chaos in sequential order:
new ages and new justifications,
logic pillars each empire of ideals,
strength derived by context.
Modern dramas play out on ancient stages,
present shadows darken history’s tales.
Short sighted, each era is equally enlightened:
ignorant of the future, rejecting the past.
(first appeared in “Riverrun -Fall 1993)
A candle with no flame
is as much a candle still
and if prompted to burn brightly,
then brightly burn it will.